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Tattoos I Know: Paul's Taíno Ink

Last summer, my friend Paul had some new work done by Pierre at The Fort Apache Tattoo Studio near Penn Station. You can see some of his old work here and here and here and here (yes, he's a regular!).

Fort Apache is up several flights of stairs, but it is conveniently close to my day job, which makes up for the aerobic ascension to the shop on 31st Street.

This is what Paul had tattooed on his right forearm:

These four symbols are petroglyphs from the Taíno culture in Puerto Rico. They are one way Paul has chosen to acknowledging his and his ancestors' culture, in ink.

From top to bottom, the symbols each have literal meanings, and then personal meanings for Paul. The triangular piece is a zemis, pointing in three directions - to the sky and the Creator, to the underworld and the realm of the dead, and to the world of the living.

The second petroglyph is Sol, or the sun and the fourth design is the coqui, or frog.

Thanks once again to Paul for sharing his latest installment of ink here with us on Tattoosday!

Niki's Memorial Foot

Alas, with winter setting in, spotting tattoos in public is seasonably challenging. Thank goodness for ink on uncovered extremities, like hands and the occasional foot!

Case in point, earlier this month I met Niki in Penn Station after spotting this dagger on her foot:

She had this, one of her three tattoos, done three or four years ago a couple of years after her father had passed away.

It is a memorial that is based on a necklace her dad wore. When I asked her, after the fact, if she still had the necklace, she said she didn't, but said it was a lot like this one. She added "my dad bought it the Christmas before he passed away and it really showed off his sarcasm and style because he was very much into motorcycles and whatnot".

Wisely, in my opinion, she kept the design, but excised the words on the necklace from the tattoo!

Niki had this done by Marc at Ink Link Tattoos & Piercings in West Palm Beach, Florida.

Thanks to Niki for sharing her tattoo with us here on Tattoosday!

Tattoorism: Sean Returns, Part 1

Back in 2009, one of our loyal readers, Sean, submitted a whole slew of his work for our viewing pleasure. You can read the original posts, here and here.

Why do I bring this up now? Last summer, Sean sent us more of his tat-alog of work and I had been saving it for a rainy day. Since it's a rainy, sleety, snowy day, I thought I should share more of what Sean sent along. And since he sent a lot, I'm splitting it into two posts. What follows is the first installment. Italics represent direct quotes from Sean.

I got the ditch of my elbow done probably about a year or so ago.  It is a flower of sorts, of my own design, made up of various geometrical shapes.  The tattoo represents two parts of our world, nature (the floral shape itself, petals, leaves, etc.) and science (the geometric shapes making up the flower).  I believe that one should not base their ideals solely on nature or science/technology, but on a mixture of the two.  It represents my appreciation for both nature and science.  Basically, I am fascinated by technology and the sciences that are its basis, but at the same time do not feel that science should trump nature all together but rather, have the two working together in harmony.  It was done by Robert “Binky” Ryan at Electric Tattoo in Bradley Beach, NJ.

The sparrows circling my outer elbow were my next pieces done.  I had attended a Marine museum in Philadelphia which had a great exhibit on the tattoo culture surrounding the Navy and sailors in general throughout history.  According to the exhibit, sailors would earn the right to a single sparrow tattoo after traveling 5,000 miles at sea and a second sparrow after 10,000 miles.  I am not much for sailing, but the idea of the sparrow representing travel and all the hardships, journeys, and successes that surround that travel appealed to me.  Further, I have a general appreciation for American Traditional tattoos and their overall aesthetics.  These were done by Rich Heller at Electric Tattoo in Bradley Beach, NJ. 

Don’t quite remember when I got my feet finished up, but it was sometime within the last year and a half or so.  My feet are tattooed with a sun and moon, which I drew myself about 6 years ago.  The duality of the sun and moon, and various meanings that these two symbols hold are why I had them tattooed.  The idea that each represents night and day, or two opposites that work together to make up a whole, are what drew me to having the designs placed on my feet.  Further, it represents the two sides that I have to myself, a lighter, happy, and caring side and a darker, selfish side.  I feel a person cannot fully understand themselves without acknowledging and accepting all parts of their personalities.  I also gave the sun and moon, a dark, kind of macabre, look as I am a huge horror fan and have always been attracted to the darker side of things.  Originally, I had them inked by Robert “Binky” Ryan (then at Body Art World in Pt. Pleasant, NJ but now Electric Tattoo in Bradley Beach, NJ) in 2004.  They were done in grey wash and I was happy with them for about 5 years, in which point I decided to have them colored in, and had some background added.  The color and background were added by Brody Longo at Slingin’ Ink in Pt. Pleasant Beach, NJ.

The next piece I got was an anchor on my inner forearm.  The anchor represents all the things that drag me down in life.  Across the anchor is a banner that reads “P.M.A.” the abbreviation for positive mental attitude.  I feel the first step in pushing through any kind of hardship in life is to have a positive attitude, and the rest will follow.  I want to say the original use of PMA was in a Bad Brains song, but I pulled it from its use in the Glassjaw song “Piano.”  This tattoo is also a throwback to the band Glassjaw, as they have been my favorite band for I would have to say at least 10 years now and I have experienced just about every emotion possible while listening to their albums.  So as an added bonus, the tattoo brings me back to all those memories.  The tattoo was done by Rich Heller at Electric Tattoo in Bradley Beach, NJ.


Thanks to Sean for sharing all of this with us here on Tattoosday, and for patiently waiting for me to post it!

Stay tuned for part 2.....

Clark's Tattoo Incorporates Utah Wildflowers and a French Surrealist

Back in October, I briefly met Clark when I was passing through Penn Station at the end of the day. He was waiting for a train, so we didn't have a lengthy discussion, but he did let me photograph his right forearm:

There are two significant elements to this work. Clark is originally from Utah, and he has chosen to acknowledge this in ink by having Utah wildflowers incorporated in the piece.

The figure is bordered by the French phrase "Nul n'est censé ignorer" which can be translated as "ignorance is no excuse." The figure is based on the work of French painter and poet Francis Picabia.


Clark credited both Jonah Ellis and Joss Macetti at Graceland Brooklyn for work on this tattoo.


Thanks to Clark for sharing this with us here on Tattoosday!

A Diversion: A Tattoo Across Time

Well, folks, at one point I had over fifty days of material backlogged, but I've been rationing of late, and tattoobernating a bit. I've less than seven days of posts remaining and this cold weather has everyone hiding their ink because of the cold.

So, until it heats up, check out this piece by writer Shonna Milliken Humphrey in tomorrow's New York Times.

It's a very nice essay and it is ink-related.

Read more about the author here.